Director of Undergraduate Studies
Film and Media
Office: Rich Bldg 109E
- PhD, University of California, Los Angeles, 2006
- MA, San Francisco State University, 1999
- BA, Fordham University, 1995
I joined the Department of Film and Media as an Assistant Professor in the Fall of 2008. My research areas include feminist film and media theory, cultural studies, film and television genres, and contemporary Hollywood and independent filmmakers. I am particularly interested in how popular depictions of gender in the media reflect and inform broader socio-political and cultural trends and attitudes.
My book American Postfeminist Cinema: Women, Romance and Contemporary Culture (Edinburgh University Press, 2014) analyzes the symbiotic relationship between heterosexual romance and postfeminist culture. It focuses on a cycle of Hollywood and independent films produced since 1980 and how their depiction of romance is intertwined with contemporary women's ambivalence and broader cultural anxieties about their changing social and political status.
Recent projects take these interests in new directions, focusing on how classic and contemporary filmmakers engage with gender and genre within different industry and media contexts. These include articles on the intersections between masculinity, embodiment, and digital media in David Fincher’s The Social Network and on Michael Curtiz’s contributions to the women’s film.
Most of my recent scholarship has focused on women filmmakers working in American independent cinema, including Nicole Holofcener, Rebecca Miller, and Mary Harron. I am the co-editor (along with Claire Perkins and Linda Badley) of Indie Reframed: Women’s Filmmaking and Contemporary American Independent Cinema (Edinburgh University Press, 2016). My essay in the collection examines independent women directors’ recent work in television, analyzing the biopics that Harron and Allison Anders made for Lifetime Television in 2014.
I also co-edited (along with Claire Perkins) a recent special issue of Feminist Media Studies (Volume 19, No. 7, 2019) entitled “Independent Women: From Film to Television” that includes articles about women practitioners’ crossover from film to television production.
I regularly teach classes on film and media theory, film authors, film genres, television, and gender in film and popular culture. I am an affiliated faculty member in the Department of Women’s, Gender, and Sexuality Studies and the Disability Studies Initiative.
Independent Women: From Film to Television, special issue of Feminist Media Studies, edited by Claire Perkins and Michele Schreiber, vol, 19, no. 7, 2019.
“A Mass of Contradictions: Michael Curtiz and the Women’s Film.” The Many Cinemas of Michael Curtiz. R. Barton Palmer and Murray Pomerance, eds. Austin: University of Texas Press, 2018. pp. 249-264.
Indie Reframed: Women’s Filmmaking and Contemporary Independent Cinema (co-editor, along with Linda Badley and Claire Perkins). Edinburgh: Edinburgh University Press, 2016.
“I’m Absolutely The Right Person For This Job: Allison Anders and Mary Harron on Lifetime Television.” Indie Reframed: Women Filmmakers and Contemporary American Independent Cinema. Linda Badley, Claire Perkins, and Michele Schreiber, eds. Edinburgh: Edinburgh University Press, 2016. pp. 87-103.
“Tiny Life: Technology and Masculinity in the Films of David Fincher.” Journal of Film and Video. Vol. 68, no 1 (Spring 2016), pp. 3-18.
American Postfeminist Cinema: Women, Romance and Contemporary Culture. Edinburgh: Edinburgh University Press, 2014. Buy this book.
Read more about Professor Schreiber’s book in this Huffington Post story.
“Their Own Personal Velocity: Female Directors and Contemporary Independent Cinema.” American Independent Cinema: Indie, Indiewood, and Beyond, Geoff King, Claire Malloy, Yannis Tzioumakis, eds. Routledge, 2012. pp.96-107. Buy this book.
“Independence at What Cost? Economics and Female Desire in Nicole Holofcener’s Friends With Money.” Feminism at the Movies: Understanding Gender in Contemporary Cinema, Hilary Radner and Rebecca Stringer, eds., New York: Routledge, 2011. pp. 177-188. Buy this book.
Interrogating Post-Feminism (Book Review). Yvonne Tasker and Diane Negra, eds. Film Quarterly. Fall 2010. pp. 76-77.
“Misty Water-colored Memories of the Way we Were…” Nostalgia and Postfeminism in Contemporary Romance Narratives.” Reclaiming the Archive: Feminism and Film History. Vicki Callahan, ed. Wayne State University Press, 2010. pp. 364-383. Buy this book.“Spectatorship and Audiences.” The Schirmer Encyclopedia of Film. Keith Barry Grant, ed. Thompson Gale, 2006. pp. 129-133. Buy this book.